He moved within the East-Village and Patterns & Decoration, a trend that from the middle of the 70s, in contrast with the minimal and conceptual movements, asserted in America with its opulent and transgressive energy, full of hints to the various craft and popular arts. His extreme “iperdecorative” vocation for embellishing banal and “quality-less” objects belonging to everyday life goes back to the Pop Art American tradition.
Last stage “New Baroque” takes Connely to an ephemeral hyperbole, to a theatrical apology. As a result painting is transformed into a high-class painting that goes beyond Pollock and Stella’s overburdened refinement, in order to dive into an atmosphere of fin de siécle.
Solo exhibitions
1990
Arch Connelly, galleria La Giarina, Verona1987
56 Bleeker Gallery, New York City1986
Holly Solomon Gallery, , New York City1985
Fun Gallery, New York City1984
Fun Gallery, New York City1983
Tracey Garet – Michael Kohn, New York City1981
Fun Gallery, New York City1980
Artists Space, New York CityGroup exhibitions
1989
The Center Show, Lesbian and Gay Community Center, New York City1988/89
Dwelling, 56 Bleeker Gallery, New York City1988
Beads, Structure and Surface, John Michael Kohler Ars Center, Sheboygan, Wisconsin1987
1987 Effetto Placebo, galleria Murnik, Milano1986
East Village Exibition, Fashion Institute of Tecnology, New York City1985
Precious, Grey Art Gallery, New York Unversity, New York City1984
House on the Borderline, White Columns, New York City1983
Ourhaus, Dancetaria, New York City1982
Extended Sensibilities, New Museum, New York City1981
The Broken Surface, Tibor de Nagy Gallery, New York City